What if the structure of your book could preach your message as clearly as your words?
Many writers focus on content—what they want to say—without giving enough thought to how they say it. But structure is more than just organization; it’s an invisible force that shapes the reader’s experience, reinforcing or even embodying the message itself.
In this post, let’s look at three recent books that masterfully use structure to enhance their themes: With by Skye Jethani, Liturgy of the Ordinary by Tish Harrison Warren, and Love Does by Bob Goff. Each book employs a unique framework that not only supports its message but amplifies it.
1. With by Skye Jethani – Structure as Theological Argument
Jethani’s central idea is that the Christian life is not about living for God, under God, over God, or from God, but with Him.
Rather than merely stating this idea, he builds the book in a way that leads the reader through each of these faulty perspectives before unveiling the richness of life with God. The structure itself takes the reader on a journey—first through misconceptions, then into clarity.
By the time we arrive at the final section, we have not just heard his argument; we have felt the weight of the alternatives. The structure embodies the transformation he wants us to experience.
2. Liturgy of the Ordinary by Tish Harrison Warren – Structure as Reflection of Life
Warren’s book is about the sacred nature of ordinary routines. Instead of arranging her thoughts in a traditional theological or topical format, she structures the book around a typical day—moving from waking up to going to sleep.
This rhythm does more than support her argument; it enacts it. The reader experiences her point firsthand—holiness is not found in grand moments alone but in the mundane.
As we move through the book, we become more attuned to the spiritual depth hidden in daily life, just as she hopes we will in our own routines.
3. Love Does by Bob Goff – Structure as Repetition and Reinforcement
Bob Goff’s Love Does is a collection of short, punchy stories, each one making the same point from a fresh angle: Love is active. Love is movement. Love does.
Rather than building a linear argument, Goff’s structure mirrors his message—love isn’t something you study or dissect; it’s something you do. Each chapter feels like a new adventure, mirroring the way love continually surprises us.
The structure itself feels like action, reinforcing his core message.
Finding Your Own Structure
Each of these books could have been written differently.
- Jethani could have simply stated his thesis upfront.
- Warren could have written a more abstract theological work.
- Goff could have built a logical case for love.
But their choices in structure elevate their messages, making them more memorable, compelling, and effective.
As you write, consider:
- Does your structure reflect the movement of your message?
- Could your framework create an experience for the reader rather than just a presentation of ideas?
- What structures have influenced you as a reader, and how did they shape your understanding?
Finding your voice isn’t just about the words you use—it’s also about the shape those words take.
Structure is not a cage but a canvas. Use it to your advantage.
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